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Rent a AJA Ki Pro
Los
Angeles Area, San Francisco Area, San Diego Area, Orange
County Area, Las Vegas, New York Area |
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Ki Pro
Highly portable tape replacement.
Ki Pro combines the power of a file-based recorder with
the familiar controls of a tape deck in a portable
format that you can carry with you, anywhere
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System Description
http://www.aja.com
AJA rental products
The AJA Ki-PRO is a recording
device designed to streamline post production workflow by
simplifying video acquisition. The unit features both SDI
and HDMI inputs, making it compatible with most pro consumer
and professional cameras. The KiPRO takes advantage of
Apple's ProRes technology for a seamless transition from
"lens to post". The device records to high-capacity drives
from a wide variety of cameras and will accept either the
500gb or 250gb drive for large or larger recording
capacity and flexibility.
Ki-PRO is portable and
rugged; designed for real production environments. With
the optional exo-skeleton it can sit below your camera-out
of the way of your battery adapters, wireless mics and
other accessories. Integration with your other production
gear is seamless.
Ki-PRO is intuitive to operate.
Alongside the camera, the familiar VTR-like buttons
provide immediate controls for basic operation. From a
distance, use a web browser via ethernet or WiFi to
control operations from a laptop or iPhone.
250GB
and 500GB hard drive rented separately
AJA Video is a leading manufacturer of
high-quality and cost-effective digital video
interface, conversion and Desktop solutions supporting
the professional broadcast and post-production
markets.
AJA Video products have long had a
reputation for robust performance, reliability and
delivering a lot of power for a low price point for
increased broadcast and post-production workflow
environments. AJA's format converters are available in
both HD and SDI product lines, with a full range of
conversion and other capabilities. AJA's IOHD is the
latest in the award-winning IO family of products an
effortless, transportable plug-in solution to working
with HD and SD in Final Cut Pro on a MacBook Pro or
Mac Pro computer. The KONA family is AJA's line of
10-bit uncompressed QuickTime cards for Video and
Audio I/O on a Mac.
Video Formats
- 525i 29.97
- 625i 25
- 720P 23.98, 25, 29.97, 50, 59.94,
60 (Note: 720p 23.98 (24), 720p 25 and
720p 29.97 require a valid camera
source and the use of the Record
Type>VFR selection)
- 1080i 25, 29.97, 30
- 1080PsF 23.98, 24, 25, 29.97, 30
- 1080PsF 23.98, 24, 25*, 29.97*
(Note: 25 and 29.97 require a valid
camera source and the use of the
Record Type>PsF selection)
- 1080p 23.98, 24, 25, 29.97
Codec Support
- Apple ProRes 422
- Apple ProRes 422 (HQ)
- Apple ProRes 422 (LT)
- Apple ProRes 422 (Proxy)
Removable Storage
- AJA Ki Stor modules – 1 slot
- ExpressCard/34 – 2 slots (Only
Slot 1 active, See www.aja.com for
supported media)
Video Input Digital
- SD/HD SDI, SMPTE-259/292/296,
10-bit
- Single Link 4:2:2 (1 x BNC)
- HDMI v1.1
Video Input Analog:
- SD/HD Component (3 x BNC)
- SMPTE/EBU N10, Betacam 525 line,
Betacam 525J
- 12-bit A/D, 2x oversampling
- +/- .25 dB to 5.5 MHz Y Frequency
Response
- +/- .25 dB to 2.5 MHz C Frequency
Response
- .5% 2T pulse response
- <2 ns Y/C delay inequity
Video Output Digital (all simultaneously
active)*
- SD/HD SDI, SMPTE-259/292/296,
10-bit
- Single Link 4:2:2 (1 x BNC)
- HDMI v1.1 (Note: HDMI requires
1080i, 720p or 1080p to be active;
HDMI does not provide support for PsF)
Video Output Analog (all simultaneously
active)
- Composite (1 x BNC)
- NTSC, NTSCJ, PAL
- 12-bit D/A, 8x oversampling
- +/- .2 dB to 5.0 MHz Y Frequency
Response
- +/- .2 dB to 1 MHz C Frequency
Response
- .5% 2T pulse response
- <1% Diff Phase
- <1% Diff Gain (Note: Composite
output requires that the Component
Analog output be set to SD; composite
output does not support HD)
Video Output Analog (all simultaneously
active)
- Composite (1 x BNC)
- NTSC, NTSCJ, PAL
- 12-bit D/A, 8x oversampling
- +/- .2 dB to 5.0 MHz Y Frequency
Response
- +/- .2 dB to 1 MHz C Frequency
Response
- .5% 2T pulse response
- <1% Diff Phase
- <1% Diff Gain (Note: Composite
output requires that the Component
Analog output be set to SD; composite
output does not support HD)
- Component (3 x BNC)
- HD: YPbPr, RGB
- SD: YPbPr, RGB (component mode)
- SMPTE/EBU N10, Betacam 525 line,
Betacam 525J, RGB
- 12-bit D/A, 8x oversampling
- +/- .2 dB to 5.5 MHz Y Frequency
Response
- +/- .2 dB to 2.5 MHz C Frequency
Response
- .5% 2T pulse response
- <1 ns Y/C delay inequity
Audio Input Digital
- 8-channel, 24-bit SMPTE-259 SDI
embedded audio, 48kHz sample rate,
Synchronous
- 2-channel, 24-bit HDMI embedded
audio, 48kHz sample rate, Synchronous
Audio Input Analog
- 2-channel, 24-bit A/D analog
audio, 48kHz sample rate, balanced (2
x XLR)
- Input level: Line, Mic,
Mic+phantom 48Vdc
- +24dbu Full Scale Digital
- +/- 0.2db 20 to 20kHz Frequency
Response
- 2-channel unbalanced (2 x RCA)
Audio Output Digital
- 8-channel, 24-bit SMPTE-259 SDI
embedded audio, 48kHz sample rate,
Synchronous
- 8-channel, 24-bit HDMI embedded
audio, 48kHz sample rate, Synchronous
Audio Output Analog
- 2-channel, 24-bit D/A analog
audio, 48kHz sample rate, balanced (2
x XLR)
- +24dbu Full Scale Digital (0dbFS)
- +/- 0.2db 20 to 20kHz Frequency
Response
- 2-channel unbalanced (2 x RCA)
- Stereo unbalanced headphone (1 x
¼” mini jack)
Up-Conversion
- Hardware 10-bit
- Anamorphic: full-screen
- Pillar box 4:3: results in a 4:3
image in center of screen with black
sidebars
- Zoom 14:9: results in a 4:3 image
zoomed slightly to fill a 14:9 image
with black side bars
- Zoom Letterbox: results in image
zoomed to fill full screen
- Zoom Wide: results in a
combination of zoom and horizontal
stretch to fill a 16:9 screen; this
setting can introduce a small aspect
ratio change
Down-Conversion
- Hardware 10-bit
- Anamorphic: full-screen
- Letterbox: image is reduced with
black top and bottom added to image
area with the aspect ratio preserved
- Crop: image is cropped to fit new
screen size
Cross-Conversion
- Hardware 10-bit
- 1080i to 720P
- 720P to 1080i
Timecode
- SDI RP188 via SDI BNC
- LTC input (1 x BNC)
- LTC output (1x BNC) (Note: active
during playback not during record or
EE)
Network Interface
- 10/100/1000 Ethernet (RJ-45)
- 802.11g Wireless
- Embedded web server for remote
control
Computer Interface
User Interface
- 2 x 20 character display, with
dedicated buttons
Control
- LANC Loop (2 LANC Connectors)
(Note: requires a LANC enabled camera)
- Lens Tap (Note: Not activated)
- IEEE-1394a/FireWire400 for control
and timecode data
Machine Control
- RS-422, Sony 9-pin protocol.
- 9-pin D-connector pinout is as
follows:
1 |
GND |
2 |
RX- |
3 |
TX+ |
4 |
GND |
5 |
No Connection |
6 |
GND |
7 |
RX+ |
8 |
TX- |
9 |
GND |
Shell |
GND |
Physical
- Width: 9.00” (22.86cm)
- Depth: 6.12” (15.56cm) from front
antenna cover to back of handles
- Height: 3.25” (8.25cm)
- Power: 100-240 VAC 50/60Hz
(adapter), 12-18Vdc 4-pin XLR
(chassis), 3.3A max, 30W typical
- Weight: 3.7 lb. (1.67kg)
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NEC
Resolution 1365x768
Aspect Ratio 16:9
Colors 68.7 billion colors
Dimensions 48.1in W 29in H 3.8in D |
50 Inch Pioneer or
NEC Plasma Displays
Take the next
step, rent a bigger display for your next event. This
display can be viewed from center isle at trade shows. This larger
size offers integrators
and designers versatile installation options to suit virtually any
application. Compare to the previous model, this model now
produces 17% less heat and has an advanced environmental tolerance
device which simultaneously reduces operating noise at 23%. The
unit, although 50 diagonal inches, is surprisingly light weight
and is one of the slimmest available on the market. With the 160
degree viewing angle, both vertically and horizontally, this
plasma panel can be viewed from almost anywhere, even across the
isles. Users can change aspect ratios from standard 4:3 to
widescreen 16:9 format to accommodate DVD presentations and
widescreen broadcasts. Screen Size 50-inch diagonal
Dimensions 48.1in W 29in H 3.8in D Plasma
Mfg. Information |
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Hitachi
37 Inch Plasma Display
High-Resolution XGA: At 1024 x 768 pixels, XGA provides pictures
nearly one and a half times as detailed as conventional VGA
images. When viewed on the 's big 37" screen with .735 x .735 mm
pixel pitch, the vivid, super-sharp XGA picture is simply
breathtaking. Plus the is compatible with virtually any video or
data source from PCs to DVDs, making it the ideal display solution
for any corporate application from tradeshows and exhibits to
presentations and training. Plasma
Mfg. Information Model: CMP307XU
Display: 37",Resolution: 1024 x 768, true
Aspect Ratio: 4:3
Screen Size: 22.2 x 29.6, Dimensions: 34.8 x 26.9 x 3.9 |
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Cobra Plasma
Stand
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To the right, our standard dual post floor stand designed to
be used with any of our flat or tilting PDM series plasma
wall mounts in the horizontal or vertical display mode. The dual
2" chrome posts allow for height adjustability with
(average is 5.5 ft. in height. Optional flat accessory shelf
installed above or below the display in a front or rear-facing
mode.
To the left, our fancy cobra display with shelf.
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Dual pole Plasma
Stand |
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NEC LCD3000
LCD TV
- 1280 x 768 resolution allows for
crisp text and precise images
- Virtually eliminates the
potential for permanent image burn-in, contributing to optimal
screen performance and longer monitor life
- XtraView® technology allows for
wide-angle viewing
- PC and video
- Detachable speakers deliver an
enhanced multimedia experience with amazing sound quality
- On Screen Manager (OSM®) puts
you in complete control of display setting adjustments
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The
Great Technology War: LCD vs. DLP If you are new to
the world of digital projectors, you won't have to shop around the
market very long before discovering that "LCD" and "DLP" somehow
refers to two different kinds of projectors. You might not even
know what LCD and DLP are before asking the obvious question
"which one is better?"
Want a really BIG SCREEN...then use a LCD/DLP projector and
connect your computer or even an VHS player/recorder (used as a TV
tuner) and project pictures or presentations up to 15 feet by 20
feet. (can go larger)
Projector Models for rent. |
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Get
your quote for your next rental at
CES.ORG,
CableTV,
e3,
Infocomm,
Siggraph,
...more tradeshows, special events, meetings
and new product announcements. Offices serving
California, Burbank,
Los Angeles, West Los
Angeles. Santa Monica, Culver City,
Long Beach,
Glendale, Pasadena,
Van
Nuys,
North Hollywood,
Hollywood,
Anaheim, Irvine,
Newport Beach, Beverly Hills,
San Dimas,
Ontario,
Pomona, San Diego, Carlsbad,
Texas, Austin, Arlington,
Dallas, Fort Worth,
Houston, Atlanta, Nashville, New Orleans, Orlando,
New Jersey, New York, Manhattan, Boston, Hartford,
Philadelphia, Providence,
Baltimore, Washington DC,
Chicago,
Portland, Santa Clara, Berkley,
San Francisco, Oakland, Bay Area, San
Jose, Fresno,
Nevada,
Las Vegas, Phoenix,
Salt Lake City. Nationwide
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Projectors, AV Equipment, Laptop, and Desktop Computer Rental Solutions
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If you are a multi-show exhibitor, we can
offer you a national account agreement that will provide one competitive
rate for equipment rentals and consistent service for all of your events
nationwide. This enables you to know your costs and budget for your
entire show schedule. We supply on-site IT & A/V technical services to
support your events or presentations anywhere you go in the U.S., thus
eliminating the logistical problems that result from having multiple
contractors.
Our services don’t end once your rental
equipment is delivered and installed. We understand that managing IT
equipment means more than just "procurement". That is why
we offer exceptional technical support and services. In addition to 24/7
support, our experienced technicians will work with you from
installation until final completion of the project.
Call
or for prices
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